The entire reason the cyberpunk genre was invented was to reflect what modern society looks like, and the inevitable outcome if technology improves, but government policy and power dynamics stayed the same.
The counter genres to cyberpunk are solarpunk (merging society and nature together) and sci-fi (Star Trek being the main example here, being a socialist, post-scarcity society)
This is actually kind of funny when you consider a lot of infrastructure refuses to use newer or better technology in the goal of maximizing profit, which the government also supports via lack of legislation.
Cyberpunk always shows some cool stuff around public transport, yet here we still are in 10 lane highway congested traffic with inefficient SUVs and Trucks since they even killed off sedans.
Cyberpunk public transport usually only exists because most people can’t afford cars though, and the routes pretty much exclusively go to the general locations of major employers, sometimes only being available to employees of those companies (they still have pay a fare too of course)
Science fiction usually carries with it a desire to rationalize and explain the technology it’s built upon, to try and paint a world plausible from a scientific standpoint. You see this a lot with the technobabble in Star Trek.
Cyberpunk has a lot of overlap with science fiction, but usually dives more into the social commentary on society and capitalism, using the technology within as a vehicle to amplify those criticisms. Some cyberpunk works seek to explain their technology and make it seem grounded in the same way sci-fi does, but that is usually secondary to the social and political themes.
The entire reason the cyberpunk genre was invented was to reflect what modern society looks like, and the inevitable outcome if technology improves, but government policy and power dynamics stayed the same.
The counter genres to cyberpunk are solarpunk (merging society and nature together) and sci-fi (Star Trek being the main example here, being a socialist, post-scarcity society)
This is actually kind of funny when you consider a lot of infrastructure refuses to use newer or better technology in the goal of maximizing profit, which the government also supports via lack of legislation.
Cyberpunk always shows some cool stuff around public transport, yet here we still are in 10 lane highway congested traffic with inefficient SUVs and Trucks since they even killed off sedans.
Cyberpunk public transport usually only exists because most people can’t afford cars though, and the routes pretty much exclusively go to the general locations of major employers, sometimes only being available to employees of those companies (they still have pay a fare too of course)
Uh, cyberpunk is a sub-genre of sci-fi or, as it’s also known, Science Fiction.
Science fiction usually carries with it a desire to rationalize and explain the technology it’s built upon, to try and paint a world plausible from a scientific standpoint. You see this a lot with the technobabble in Star Trek.
Cyberpunk has a lot of overlap with science fiction, but usually dives more into the social commentary on society and capitalism, using the technology within as a vehicle to amplify those criticisms. Some cyberpunk works seek to explain their technology and make it seem grounded in the same way sci-fi does, but that is usually secondary to the social and political themes.
Then whatever that specific subgenre of sci-fi that Star Trek falls into is called.